Don't Feed the Pigeons

Description: The inciting incident, and the hate-child of hope and ambition. Well-intentioned, naive, easily swayed. Plays the Pigeon in Part 3. Note: Brooklyn is a placeholder name; use the name of the actor playing the part instead. Name: Brooklyn/Emilia Status: open Description: The rising action, and the hate-child of grief and jealousy. Doubles as Juliet. Speaks the truth even when no one wants to hear it. Plays Annie in Part 3. Name: Hermia Status: open Description: Wishes he was the climax, can never quite get there, and the hate-child of 'I am owed this' and 'I am owed that'. Dramatic, arrogant, pathetic. Plays Mitch in Part 3. Name: Claudius Status: open Description: Denouement, and the love-child of tiredness and a willingness to keep dreaming despite it. Persistent, capable, odd. Plays Mother in Part 3. Name: Gertrude Status: open Description: The opening credits, the first and last image, and the hate-child of fake sugar and real venom. Will charm your pants off and then make fun of you 'cause you have no pants. Name: Director Status: open Description: They do as they're told. Collateral damage. Name: Stage Manager/Ushers Status: open

Description: The inciting incident, and the hate-child of hope and ambition. Well-intentioned, na?ve, easily swayed. Plays the Pigeon in Part 3. Note: Brooklyn is a placeholder name. Use the name of the actor playing the part instead. Name: Brooklyn/ Emilia Status: open Description: The rising action, and the hate-child of grief and jealousy. Doubles as Juliet. Speaks the truth even when no one wants to hear it. Plays Annie in Part 3. Name: Hermia Status: open Description: Wishes he was the climax, can never quite get there, and the hate-child of "I am owed this" and "I am owed that". Dramatic, arrogant, pathetic. Plays Mitch in Part 3. Name: Claudius Status: open Description: Denouement, and the love-child of tiredness and a willingness to keep dreaming despite it. Persistent, capable, odd. Plays Mother in Part 3. Name: Gertrude Status: open Description: The opening credits, the first and last image, and the hate-child of fake sugar and real venom. Will charm your pants off and then make fun of you 'cause you have no pants. Name: Director Status: open Description: They do as they're told. Collateral damage. Name: Stage Manager/Ushers Status: open

No specific gender, race, or age for any of the actors. Open to out-of-town artists, but travel and housing are not provided.

No specific gender, race, or age for any of the actors. The company cannot provide travel and housing for out of town artists.

Email: casting@gwydiontheatre.org Instructions: Please fill out this audition form: https://forms.gle/YpHr7yntYUeNdUdj7. Any questions can be directed to Chloe Harris at casting@gwydiontheatre.org. If you are not available for initial auditions you can provide a self tape at the google form listed below. Materials: Self-tape (if unavailable for initial auditions) Method: form Link: https://forms.gle/YpHr7yntYUeNdUdj7

Deadline: 2026-10-03T23:59:59-05:00 Deadline text: 2026-10-03T23:59:59-05:00 Email: casting@gwydiontheatre.org Instructions: Please fill out this audition form: https://forms.gle/YpHr7yntYUeNdUdj7. If you are not available for initial auditions you can provide a self tape at the google form listed below. Any questions can be directed to Chloe Harris at casting@gwydiontheatre.org. Materials: self tape Method: form Timezone: America/Chicago Link: https://forms.gle/YpHr7yntYUeNdUdj7

Chloe Harris at casting@gwydiontheatre.org

Chloe Harris, casting@gwydiontheatre.org

Gwydion Theatre Company seeks actors for Don't Feed the Pigeons by Nena Martins. Initial auditions September 23 at 6:00pm; callbacks September 30 at 6:00pm. If unavailable for initial auditions, self-tape via Google Form. Location: Greenhouse Theater Center, 2257 N Lincoln Ave. Rehearsals begin week of November 9, 2026; tech begins November 30, 2026; opening December 10, 2026; performances December 10-20, 2026. Stipend. Non-Equity. Character descriptions include Brooklyn/Emilia, Hermia, Claudius, Gertrude, Director, Stage Manager/Ushers. Casting note: no specific gender, race, or age for actors; intimacy/violence disclosure sheet referenced.

Non-Equity audition for 'Don't Feed the Pigeons!' by Nena Martins, presented by Gwydion Theatre Company. Pay: Stipend. Initial auditions September 23rd at 6:00pm; callbacks September 30th at 6:00pm. If unavailable for initial auditions, self-tape option via Google form. Audition location: Greenhouse Theater Center, 2257 N Lincoln Ave; no travel/housing provided for out-of-town artists. Rehearsals begin week of November 9, 2026; tech begins November 30, 2026; opening December 10, 2026; performances December 10-20, 2026. Must be available for entirety of key production dates (with the exception of pre-approved conflicts); limited brief Zoom meetings may be scheduled in preparation; rehearsals typically after 5pm and workable around availability. Character descriptions include Brooklyn/Emilia, Hermia, Claudius, Gertrude, Director, Stage Manager/Ushers. No specific gender, race, or age for any actors. All key production dates subject to change. Posted Date: Sep 5, 2026.

Description: The inciting incident, and the hate-child of hope and ambition. Well-intentioned, na?ve, easily swayed. Plays the Pigeon in Part 3. Note: Brooklyn is a placeholder name. Use the name of the actor playing the part instead. Name: Brooklyn/ Emilia Status: open Description: The rising action, and the hate-child of grief and jealousy. Doubles as Juliet. Speaks the truth even when no one wants to hear it. Plays Annie in Part 3. Name: Hermia Status: open Description: Wishes he was the climax, can never quite get there, and the hate-child of "I am owed this" and "I am owed that". Dramatic, arrogant, pathetic. Plays Mitch in Part 3. Name: Claudius Status: open Description: Denouement, and the love-child of tiredness and a willingness to keep dreaming despite it. Persistent, capable, odd. Plays Mother in Part 3. Name: Gertrude Status: open Description: The opening credits, the first and last image, and the hate-child of fake sugar and real venom. Will charm your pants off and then make fun of you 'cause you have no pants. Name: Director Status: open Description: They do as they're told. Collateral damage. Name: Stage Manager/Ushers Status: open

Description: The inciting incident, and the hate-child of hope and ambition. Well-intentioned, naive, easily swayed. Plays the Pigeon in Part 3. Note: Brooklyn is a placeholder name; use the name of the actor playing the part instead. Name: Brooklyn/Emilia Status: open Description: The rising action, and the hate-child of grief and jealousy. Doubles as Juliet. Speaks the truth even when no one wants to hear it. Plays Annie in Part 3. Name: Hermia Status: open Description: Wishes he was the climax, can never quite get there, and the hate-child of 'I am owed this' and 'I am owed that'. Dramatic, arrogant, pathetic. Plays Mitch in Part 3. Name: Claudius Status: open Description: Denouement, and the love-child of tiredness and a willingness to keep dreaming despite it. Persistent, capable, odd. Plays Mother in Part 3. Name: Gertrude Status: open Description: The opening credits, the first and last image, and the hate-child of fake sugar and real venom. Will charm your pants off and then make fun of you 'cause you have no pants. Name: Director Status: open Description: They do as they're told. Collateral damage. Name: Stage Manager/Ushers Status: open

No specific gender, race, or age for any of the actors. The company cannot provide travel and housing for out of town artists.

No specific gender, race, or age for any of the actors. Open to out-of-town artists, but travel and housing are not provided.

Description: Initial Auditions: September 23rd at 6:00pm End: 2026-09-23 Kind: audition Start: 2026-09-23 Description: Callbacks: September 30th at 6:00pm End: 2026-09-30 Kind: callback Start: 2026-09-30 Description: Rehearsals begin: week of November 9, 2026 Kind: rehearsal Start: 2026-11-09 Description: Tech begins: November 30, 2026 Kind: tech Start: 2026-11-30 Description: Opening: December 10, 2026 End: 2026-12-10 Kind: performance Start: 2026-12-10 Description: Performances: December 10-20, 2026 End: 2026-12-20 Kind: performance Start: 2026-12-10

Description: Initial Auditions: September 23rd at 6:00pm End: 2026-09-23 Kind: audition Start: 2026-09-23 Description: Callbacks: September 30th at 6:00pm End: 2026-09-30 Kind: callback Start: 2026-09-30 Description: Rehearsals begin: week of November 9, 2026 End: 2026-11-09 Kind: rehearsal Start: 2026-11-09 Description: Tech begins: November 30, 2026 End: 2026-11-30 Kind: tech Start: 2026-11-30 Description: Opening: December 10, 2026 End: 2026-12-10 Kind: performance Start: 2026-12-10 Description: Performances: December 10-20, 2026 End: 2026-12-20 Kind: performance Start: 2026-12-10

Email: casting@gwydiontheatre.org Instructions: Please fill out this audition form: https://forms.gle/YpHr7yntYUeNdUdj7. If you are not available for initial auditions you can provide a self tape at the google form listed below. Any questions can be directed to Chloe Harris at casting@gwydiontheatre.org. Method: form Link: https://forms.gle/YpHr7yntYUeNdUdj7

Deadline: 2026-10-03T23:59:59-05:00 Deadline text: 2026-10-03T23:59:59-05:00 Email: casting@gwydiontheatre.org Instructions: Please fill out this audition form: https://forms.gle/YpHr7yntYUeNdUdj7. Any questions can be directed to Chloe Harris at casting@gwydiontheatre.org. If you are not available for initial auditions you can provide a self tape at the google form listed below. Materials: Self-tape (if unavailable for initial auditions) Method: form Timezone: America/Chicago Link: https://forms.gle/YpHr7yntYUeNdUdj7

Non-Equity audition for 'Don't Feed the Pigeons!' by Nena Martins, presented by Gwydion Theatre Company. Pay: Stipend. Initial auditions September 23rd at 6:00pm; callbacks September 30th at 6:00pm. If unavailable for initial auditions, self-tape option via Google form. Audition location: Greenhouse Theater Center, 2257 N Lincoln Ave; no travel/housing provided for out-of-town artists. Rehearsals begin week of November 9, 2026; tech begins November 30, 2026; opening December 10, 2026; performances December 10-20, 2026. Must be available for entirety of key production dates (with the exception of pre-approved conflicts); limited brief Zoom meetings may be scheduled in preparation; rehearsals typically after 5pm and workable around availability. Character descriptions include Brooklyn/Emilia, Hermia, Claudius, Gertrude, Director, Stage Manager/Ushers. No specific gender, race, or age for any actors. All key production dates subject to change. Posted Date: Sep 5, 2026.

Gwydion Theatre Company seeks actors for Don't Feed the Pigeons by Nena Martins. Initial auditions September 23 at 6:00pm; callbacks September 30 at 6:00pm. If unavailable for initial auditions, self-tape via Google Form. Location: Greenhouse Theater Center, 2257 N Lincoln Ave. Rehearsals begin week of November 9, 2026; tech begins November 30, 2026; opening December 10, 2026; performances December 10-20, 2026. Stipend. Non-Equity. Character descriptions include Brooklyn/Emilia, Hermia, Claudius, Gertrude, Director, Stage Manager/Ushers. Casting note: no specific gender, race, or age for actors; intimacy/violence disclosure sheet referenced.

Description: Initial Auditions: September 23rd at 6:00pm End: 2026-09-23 Kind: audition Start: 2026-09-23 Description: Callbacks: September 30th at 6:00pm End: 2026-09-30 Kind: callback Start: 2026-09-30 Description: Rehearsals begin: week of November 9, 2026 End: 2026-11-09 Kind: rehearsal Start: 2026-11-09 Description: Tech begins: November 30, 2026 End: 2026-11-30 Kind: tech Start: 2026-11-30 Description: Opening: December 10, 2026; Performances: December 10-20, 2026 End: 2026-12-20 Kind: performance Start: 2026-12-10

Description: Initial Auditions: September 23rd at 6:00pm End: 2026-09-23 Kind: audition Start: 2026-09-23 Description: Callbacks: September 30th at 6:00pm End: 2026-09-30 Kind: callback Start: 2026-09-30 Description: Rehearsals begin: week of November 9, 2026 Kind: rehearsal Start: 2026-11-09 Description: Tech begins: November 30, 2026 Kind: tech Start: 2026-11-30 Description: Opening: December 10, 2026 End: 2026-12-10 Kind: performance Start: 2026-12-10 Description: Performances: December 10-20, 2026 End: 2026-12-20 Kind: performance Start: 2026-12-10

No specific gender, race, or age for any of the actors; out-of-town artists cannot be provided travel and housing.

No specific gender, race, or age for any of the actors. The company cannot provide travel and housing for out of town artists.

Description: The inciting incident, and the hate-child of hope and ambition. Well-intentioned, naïve, easily swayed. Plays the Pigeon in Part 3. Note: Brooklyn is a placeholder name. Use the name of the actor playing the part instead. Name: Brooklyn/Emilia Status: open Description: The rising action, and the hate-child of grief and jealousy. Doubles as Juliet. Speaks the truth even when no one wants to hear it. Plays Annie in Part 3. Name: Hermia Status: open Description: Wishes he was the climax, can never quite get there, and the hate-child of "I am owed this" and "I am owed that". Dramatic, arrogant, pathetic. Plays Mitch in Part 3. Name: Claudius Status: open Description: Denouement, and the love-child of tiredness and a willingness to keep dreaming despite it. Persistent, capable, odd. Plays Mother in Part 3. Name: Gertrude Status: open Description: The opening credits, the first and last image, and the hate-child of fake sugar and real venom. Will charm your pants off and then make fun of you 'cause you have no pants. Name: Director Status: open Description: They do as they're told. Collateral damage. Name: Stage Manager/Ushers Status: open

Description: The inciting incident, and the hate-child of hope and ambition. Well-intentioned, na?ve, easily swayed. Plays the Pigeon in Part 3. Note: Brooklyn is a placeholder name. Use the name of the actor playing the part instead. Name: Brooklyn/ Emilia Status: open Description: The rising action, and the hate-child of grief and jealousy. Doubles as Juliet. Speaks the truth even when no one wants to hear it. Plays Annie in Part 3. Name: Hermia Status: open Description: Wishes he was the climax, can never quite get there, and the hate-child of "I am owed this" and "I am owed that". Dramatic, arrogant, pathetic. Plays Mitch in Part 3. Name: Claudius Status: open Description: Denouement, and the love-child of tiredness and a willingness to keep dreaming despite it. Persistent, capable, odd. Plays Mother in Part 3. Name: Gertrude Status: open Description: The opening credits, the first and last image, and the hate-child of fake sugar and real venom. Will charm your pants off and then make fun of you 'cause you have no pants. Name: Director Status: open Description: They do as they're told. Collateral damage. Name: Stage Manager/Ushers Status: open

Email: casting@gwydiontheatre.org Instructions: Please fill out this audition form. If you are not available for initial auditions you can provide a self tape at the google form. Any questions can be directed to Chloe Harris at casting@gwydiontheatre.org Method: form Link: https://forms.gle/YpHr7yntYUeNdUdj7

Deadline: 2026-10-03T23:59:59-05:00 Deadline text: 2026-10-03T23:59:59-05:00 Email: casting@gwydiontheatre.org Instructions: Please fill out this audition form: https://forms.gle/YpHr7yntYUeNdUdj7. If you are not available for initial auditions you can provide a self tape at the google form listed below. Any questions can be directed to Chloe Harris at casting@gwydiontheatre.org. Materials: Self-tape (if unavailable for initial auditions) Method: form Timezone: America/Chicago Link: https://forms.gle/YpHr7yntYUeNdUdj7

Non-Equity auditions for Gwydion Theatre Company's production of 'Don't Feed the Pigeons!' by Nena Martins. Initial auditions September 23rd at 6:00pm with callbacks September 30th at 6:00pm; self-tapes accepted via Google form for those unavailable for initial auditions. Pay listed as a stipend. Casting note: no specific gender, race, or age for any of the actors; out-of-town artists cannot be provided travel and housing. Rehearsals begin week of November 9, 2026, tech November 30, 2026, opening December 10, 2026, performances December 10-20, 2026.

Non-Equity audition for 'Don't Feed the Pigeons!' by Nena Martins, presented by Gwydion Theatre Company. Pay: Stipend. Initial auditions September 23rd at 6:00pm; callbacks September 30th at 6:00pm. If unavailable for initial auditions, self-tape option via Google form. Audition location: Greenhouse Theater Center, 2257 N Lincoln Ave; no travel/housing provided for out-of-town artists. Rehearsals begin week of November 9, 2026; tech begins November 30, 2026; opening December 10, 2026; performances December 10-20, 2026. Must be available for entirety of key production dates (with the exception of pre-approved conflicts); limited brief Zoom meetings may be scheduled in preparation; rehearsals typically after 5pm and workable around availability. Character descriptions include Brooklyn/Emilia, Hermia, Claudius, Gertrude, Director, Stage Manager/Ushers. No specific gender, race, or age for any actors. All key production dates subject to change. Posted Date: Sep 5, 2026.

Email: casting@gwydiontheatre.org Instructions: Please fill out this audition form. If you are not available for initial auditions you can provide a self tape at the google form listed below. Any questions can be directed to Chloe Harris at casting@gwydiontheatre.org Materials: Self tape Method: form Link: https://forms.gle/YpHr7yntYUeNdUdj7

Deadline: 2026-10-03T23:59:59-05:00 Deadline text: 2026-10-03T23:59:59-05:00 Email: casting@gwydiontheatre.org Instructions: Please fill out this audition form. If you are not available for initial auditions you can provide a self tape at the google form. Any questions can be directed to Chloe Harris at casting@gwydiontheatre.org Materials: Self-tape (if unavailable for initial auditions) Method: form Timezone: America/Chicago Link: https://forms.gle/YpHr7yntYUeNdUdj7

No specific gender, race, or age for any of the actors. Must be available for entirety of key production dates (with the exception of pre-approved conflicts). Travel and housing cannot be provided for out of town artists.

No specific gender, race, or age for any of the actors; out-of-town artists cannot be provided travel and housing.

Basis: unspecified Description: Stipend Status: paid

Basis: unspecified Currency: USD Description: Stipend Maximum: 600 Minimum: 600 Status: paid

Description: Initial Auditions: September 23rd at 6:00pm End: 2026-09-23 Kind: audition Start: 2026-09-23 Description: Callbacks: September 30th at 6:00pm End: 2026-09-30 Kind: callback Start: 2026-09-30 Description: Rehearsals begin: week of November 9, 2026 Kind: rehearsal Start: 2026-11-09 Description: Tech begins: November 30, 2026 Kind: tech Start: 2026-11-30 Description: Opening: December 10, 2026; Performances: December 10-20, 2026 End: 2026-12-20 Kind: performance Start: 2026-12-10

Description: Initial Auditions: September 23rd at 6:00pm End: 2026-09-23 Kind: audition Start: 2026-09-23 Description: Callbacks: September 30th at 6:00pm End: 2026-09-30 Kind: callback Start: 2026-09-30 Description: Rehearsals begin: week of November 9, 2026 End: 2026-11-09 Kind: rehearsal Start: 2026-11-09 Description: Tech begins: November 30, 2026 End: 2026-11-30 Kind: tech Start: 2026-11-30 Description: Opening: December 10, 2026; Performances: December 10-20, 2026 End: 2026-12-20 Kind: performance Start: 2026-12-10

Description: The inciting incident, and the hate-child of hope and ambition. Well-intentioned, naive, easily swayed. Plays the Pigeon in Part 3. Note: Brooklyn is a placeholder name; use the name of the actor playing the part instead. Name: Brooklyn/ Emilia Status: unknown Description: The rising action, and the hate-child of grief and jealousy. Doubles as Juliet. Speaks the truth even when no one wants to hear it. Plays Annie in Part 3. Name: Hermia Status: unknown Description: Wishes he was the climax, can never quite get there, and the hate-child of "I am owed this" and "I am owed that". Dramatic, arrogant, pathetic. Plays Mitch in Part 3. Name: Claudius Status: unknown Description: Denouement, and the love-child of tiredness and a willingness to keep dreaming despite it. Persistent, capable, odd. Plays Mother in Part 3. Name: Gertrude Status: unknown Description: The opening credits, the first and last image, and the hate-child of fake sugar and real venom. Will charm your pants off and then make fun of you 'cause you have no pants. Name: Director Status: unknown Description: They do as they're told. Collateral damage. Name: Stage Manager/Ushers Status: unknown

Description: The inciting incident, and the hate-child of hope and ambition. Well-intentioned, naïve, easily swayed. Plays the Pigeon in Part 3. Note: Brooklyn is a placeholder name. Use the name of the actor playing the part instead. Name: Brooklyn/Emilia Status: open Description: The rising action, and the hate-child of grief and jealousy. Doubles as Juliet. Speaks the truth even when no one wants to hear it. Plays Annie in Part 3. Name: Hermia Status: open Description: Wishes he was the climax, can never quite get there, and the hate-child of "I am owed this" and "I am owed that". Dramatic, arrogant, pathetic. Plays Mitch in Part 3. Name: Claudius Status: open Description: Denouement, and the love-child of tiredness and a willingness to keep dreaming despite it. Persistent, capable, odd. Plays Mother in Part 3. Name: Gertrude Status: open Description: The opening credits, the first and last image, and the hate-child of fake sugar and real venom. Will charm your pants off and then make fun of you 'cause you have no pants. Name: Director Status: open Description: They do as they're told. Collateral damage. Name: Stage Manager/Ushers Status: open

Non-Equity audition listing for Gwydion Theatre Company's production of Don't Feed the Pigeons! by Nena Martins. Initial auditions September 23rd at 6:00pm; callbacks September 30th at 6:00pm. If not available for initial auditions, a self tape can be provided via the Google Form. Pay listed as Stipend. Key production dates (subject to change): rehearsals begin week of November 9, 2026; tech begins November 30, 2026; opening December 10, 2026; performances December 10-20, 2026. Casting note states no specific gender, race, or age for any actor; a disclosure sheet covers simulated intimacy and violence. Travel and housing cannot be provided for out-of-town artists. Rehearsals typically after 5pm; limited brief Zoom meetings possible. Posted Date: Sep 5, 2026.

Non-Equity auditions for Gwydion Theatre Company's production of 'Don't Feed the Pigeons!' by Nena Martins. Initial auditions September 23rd at 6:00pm with callbacks September 30th at 6:00pm; self-tapes accepted via Google form for those unavailable for initial auditions. Pay listed as a stipend. Casting note: no specific gender, race, or age for any of the actors; out-of-town artists cannot be provided travel and housing. Rehearsals begin week of November 9, 2026, tech November 30, 2026, opening December 10, 2026, performances December 10-20, 2026.

Description: The inciting incident, and the hate-child of hope and ambition. Well-intentioned, na?ve, easily swayed. Plays the Pigeon in Part 3. Note: Brooklyn is a placeholder name. Use the name of the actor playing the part instead. Name: Brooklyn/ Emilia Status: open Description: The rising action, and the hate-child of grief and jealousy. Doubles as Juliet. Speaks the truth even when no one wants to hear it. Plays Annie in Part 3. Name: Hermia Status: open Description: Wishes he was the climax, can never quite get there, and the hate-child of "I am owed this" and "I am owed that". Dramatic, arrogant, pathetic. Plays Mitch in Part 3. Name: Claudius Status: open Description: Denouement, and the love-child of tiredness and a willingness to keep dreaming despite it. Persistent, capable, odd. Plays Mother in Part 3. Name: Gertrude Status: open Description: The opening credits, the first and last image, and the hate-child of fake sugar and real venom. Will charm your pants off and then make fun of you 'cause you have no pants. Name: Director Status: open Description: They do as they're told. Collateral damage. Name: Stage Manager/Ushers Status: open

Description: The inciting incident, and the hate-child of hope and ambition. Well-intentioned, naive, easily swayed. Plays the Pigeon in Part 3. Note: Brooklyn is a placeholder name; use the name of the actor playing the part instead. Name: Brooklyn/ Emilia Status: unknown Description: The rising action, and the hate-child of grief and jealousy. Doubles as Juliet. Speaks the truth even when no one wants to hear it. Plays Annie in Part 3. Name: Hermia Status: unknown Description: Wishes he was the climax, can never quite get there, and the hate-child of "I am owed this" and "I am owed that". Dramatic, arrogant, pathetic. Plays Mitch in Part 3. Name: Claudius Status: unknown Description: Denouement, and the love-child of tiredness and a willingness to keep dreaming despite it. Persistent, capable, odd. Plays Mother in Part 3. Name: Gertrude Status: unknown Description: The opening credits, the first and last image, and the hate-child of fake sugar and real venom. Will charm your pants off and then make fun of you 'cause you have no pants. Name: Director Status: unknown Description: They do as they're told. Collateral damage. Name: Stage Manager/Ushers Status: unknown

No specific gender, race, or age for any of the actors. The company cannot provide travel and housing for out of town artists.

No specific gender, race, or age for any of the actors. Must be available for entirety of key production dates (with the exception of pre-approved conflicts). Travel and housing cannot be provided for out of town artists.

Email: casting@gwydiontheatre.org Instructions: Please fill out this audition form: https://forms.gle/YpHr7yntYUeNdUdj7. If you are not available for initial auditions you can provide a self tape at the google form listed below. Any questions can be directed to Chloe Harris at casting@gwydiontheatre.org. Method: form Link: https://forms.gle/YpHr7yntYUeNdUdj7

Deadline: 2026-10-03T23:59:59-05:00 Deadline text: 2026-10-03T23:59:59-05:00 Email: casting@gwydiontheatre.org Instructions: Please fill out this audition form. If you are not available for initial auditions you can provide a self tape at the google form listed below. Any questions can be directed to Chloe Harris at casting@gwydiontheatre.org Materials: Self tape Method: form Timezone: America/Chicago Link: https://forms.gle/YpHr7yntYUeNdUdj7

Non-Equity audition for 'Don't Feed the Pigeons!' by Nena Martins, presented by Gwydion Theatre Company. Pay: Stipend. Initial auditions September 23rd at 6:00pm; callbacks September 30th at 6:00pm. If unavailable for initial auditions, self-tape option via Google form. Audition location: Greenhouse Theater Center, 2257 N Lincoln Ave; no travel/housing provided for out-of-town artists. Rehearsals begin week of November 9, 2026; tech begins November 30, 2026; opening December 10, 2026; performances December 10-20, 2026. Must be available for entirety of key production dates (with the exception of pre-approved conflicts); limited brief Zoom meetings may be scheduled in preparation; rehearsals typically after 5pm and workable around availability. Character descriptions include Brooklyn/Emilia, Hermia, Claudius, Gertrude, Director, Stage Manager/Ushers. No specific gender, race, or age for any actors. All key production dates subject to change. Posted Date: Sep 5, 2026.

Non-Equity audition listing for Gwydion Theatre Company's production of Don't Feed the Pigeons! by Nena Martins. Initial auditions September 23rd at 6:00pm; callbacks September 30th at 6:00pm. If not available for initial auditions, a self tape can be provided via the Google Form. Pay listed as Stipend. Key production dates (subject to change): rehearsals begin week of November 9, 2026; tech begins November 30, 2026; opening December 10, 2026; performances December 10-20, 2026. Casting note states no specific gender, race, or age for any actor; a disclosure sheet covers simulated intimacy and violence. Travel and housing cannot be provided for out-of-town artists. Rehearsals typically after 5pm; limited brief Zoom meetings possible. Posted Date: Sep 5, 2026.

Description: Initial Auditions: September 23rd at 6:00pm Kind: audition Start: 2026-09-23 Description: Callbacks: September 30th at 6:00pm Kind: callback Start: 2026-09-30 Description: Rehearsals begin: week of November 9, 2026 Kind: rehearsal Start: 2026-11-09 Description: Tech begins: November 30, 2026 Kind: tech Start: 2026-11-30 Description: Opening: December 10, 2026; Performances: December 10-20, 2026 End: 2026-12-20 Kind: performance Start: 2026-12-10

Description: Initial Auditions: September 23rd at 6:00pm End: 2026-09-23 Kind: audition Start: 2026-09-23 Description: Callbacks: September 30th at 6:00pm End: 2026-09-30 Kind: callback Start: 2026-09-30 Description: Rehearsals begin: week of November 9, 2026 Kind: rehearsal Start: 2026-11-09 Description: Tech begins: November 30, 2026 Kind: tech Start: 2026-11-30 Description: Opening: December 10, 2026 End: 2026-12-10 Kind: performance Start: 2026-12-10 Description: Performances: December 10-20, 2026 End: 2026-12-20 Kind: performance Start: 2026-12-10

Email: casting@gwydiontheatre.org Instructions: Please fill out this audition form: https://forms.gle/YpHr7yntYUeNdUdj7. If you are not available for initial auditions you can provide a self tape at the google form listed below. Any questions can be directed to Chloe Harris at casting@gwydiontheatre.org. Method: form Link: https://forms.gle/YpHr7yntYUeNdUdj7

Deadline: 2026-10-03T23:59:59-05:00 Deadline text: 2026-10-03T23:59:59-05:00 Email: casting@gwydiontheatre.org Instructions: Please fill out this audition form: https://forms.gle/YpHr7yntYUeNdUdj7. If you are not available for initial auditions you can provide a self tape at the google form listed below. Any questions can be directed to Chloe Harris at casting@gwydiontheatre.org. Materials: Self tape Method: form Timezone: America/Chicago Link: https://forms.gle/YpHr7yntYUeNdUdj7

No specific gender, race, or age for any of the actors; out-of-town artists may audition but no travel or housing is provided.

No specific gender, race, or age for any of the actors. The company cannot provide travel and housing for out of town artists.

Non-Equity auditions for 'Don't Feed the Pigeons!' by Nena Martins, produced by Gwydion Theatre Company. In-person initial auditions September 23rd at 6:00pm, callbacks September 30th at 6:00pm; self-tape option via the Google audition form if unavailable for initial auditions. Pay: stipend. Rehearsals begin week of November 9, 2026; tech begins November 30, 2026; opening December 10, 2026; performances December 10-20, 2026. Rehearsals typically after 5pm and can be worked around availability; possible brief Zoom meetings before rehearsals. Out-of-town artists cannot be provided travel or housing. Questions to Chloe Harris at casting@gwydiontheatre.org. Posted Date: Sep 5, 2026.

Non-Equity audition for 'Don't Feed the Pigeons!' by Nena Martins, presented by Gwydion Theatre Company. Pay: Stipend. Initial auditions September 23rd at 6:00pm; callbacks September 30th at 6:00pm. If unavailable for initial auditions, self-tape option via Google form. Audition location: Greenhouse Theater Center, 2257 N Lincoln Ave; no travel/housing provided for out-of-town artists. Rehearsals begin week of November 9, 2026; tech begins November 30, 2026; opening December 10, 2026; performances December 10-20, 2026. Must be available for entirety of key production dates (with the exception of pre-approved conflicts); limited brief Zoom meetings may be scheduled in preparation; rehearsals typically after 5pm and workable around availability. Character descriptions include Brooklyn/Emilia, Hermia, Claudius, Gertrude, Director, Stage Manager/Ushers. No specific gender, race, or age for any actors. All key production dates subject to change. Posted Date: Sep 5, 2026.

Description: Initial Audtitions: September 23rd at 6:00pm End: 2026-09-23 Kind: audition Start: 2026-09-23 Description: Callbacks: September 30th at 6:00pm End: 2026-09-30 Kind: callback Start: 2026-09-30 Description: Rehearsals begin: week of November 9, 2026. Rehearsal schedule can be workable around availability, and rehearsals are typically after 5pm. There may be limited and brief Zoom meetings scheduled in preparation before rehearsals, scheduled at your convenience. Kind: rehearsal Start: 2026-11-09 Description: Tech begins: November 30, 2026 Kind: tech Start: 2026-11-30 Description: Opening: December 10, 2026; Performances: December 10-20, 2026 End: 2026-12-20 Kind: performance Start: 2026-12-10

Description: Initial Audtitions: September 23rd at 6:00pm Kind: audition Start: 2026-09-23 Description: Callbacks: September 30th at 6:00pm Kind: callback Start: 2026-09-30 Description: Rehearsals begin: week of November 9, 2026. Must be available for entirety of key production dates listed above (with the exception of pre-approved conflicts). There may be limited and brief Zoom meetings scheduled in preparation before rehearsals, scheduled at your convenience. Rehearsal schedule can be workable around availability, and rehearsals are typically after 5pm. Kind: rehearsal Start: 2026-11-09 Description: Tech begins: November 30, 2026 Kind: tech Start: 2026-11-30 Description: Opening: December 10, 2026; Performances: December 10-20, 2026 End: 2026-12-20 Kind: performance Start: 2026-12-10

Address: 2257 N Lincoln Ave. Kind: audition Name: Greenhouse Theater Center

Address: 2257 N Lincoln Avenue City: Chicago Kind: audition Name: Greenhouse Theater Center Address: 2257 N Lincoln Ave. City: Chicago Kind: performance Name: Greenhouse Theater Center

Instructions: To apply, visit the linked form. If you are not available for initial auditions, you can provide a self tape below. Materials: Self tape, if unavailable for initial auditions Method: form Link: https://forms.gle/YpHr7yntYUeNdUdj7

Deadline: 2026-10-03T23:59:59-05:00 Deadline text: 2026-10-03T23:59:59-05:00 Email: casting@gwydiontheatre.org Instructions: Please fill out this audition form: https://forms.gle/YpHr7yntYUeNdUdj7. If you are not available for initial auditions you can provide a self tape at the google form listed below. Any questions can be directed to Chloe Harris at casting@gwydiontheatre.org. Materials: Self tape Method: form Timezone: America/Chicago Link: https://forms.gle/YpHr7yntYUeNdUdj7

Basis: unspecified Currency: USD Description: A $600.00 stipend, to be paid on closing night. Maximum: 600 Minimum: 600 Status: paid

Basis: unspecified Currency: USD Description: All actors will receive a stipend of $600.00 to be paid on closing night. Maximum: 600 Minimum: 600 Status: paid

$600.00 stipend, to be paid on closing night.

All actors will receive a stipend of $600.00 to be paid on closing night.

In-person auditions, with a self-tape option for those unavailable for initial auditions.

In-person audition

$600.00 stipend, to be paid on closing night.

All actors will receive a stipend of $600.00 to be paid on closing night.

Website: http://gwydiontheatre.org

Chloe Harris, casting@gwydiontheatre.org

Meta-theatrical dramedy in which a rehearsal process becomes increasingly unsettling as the company prepares a play-within-a-play; Brooklyn becomes increasingly intertwined with her role as reality and fiction collide. The story explores the Hero’s Journey, the American Dream, and the replication of hierarchies. Key production dates are subject to change. Actors must be available for the key production dates except for pre-approved conflicts; rehearsals are typically after 5pm and may be worked around availability, with brief Zoom preparation meetings scheduled at the actor’s convenience. No travel or housing is provided for out-of-town artists. A disclosure sheet covers simulated intimacy and violence.

Meta-theatrical dramedy about a new actor in a tense rehearsal process where reality and fiction collide. Prepare a one-minute monologue. A disclosure sheet addresses portrayals of simulated intimacy and violence. Travel and housing are not provided for out-of-town artists.

Address: 2257 N Lincoln Ave City: Chicago Kind: audition Name: Greenhouse Theater Center

Address: 2257 N Lincoln Ave. Kind: audition Name: Greenhouse Theater Center

Basis: unspecified Description: Stipend Status: paid

Basis: unspecified Currency: USD Description: A $600.00 stipend, to be paid on closing night. Maximum: 600 Minimum: 600 Status: paid

Description: Initial Auditions: September 23rd at 6:00pm End: 2026-09-23 Kind: audition Start: 2026-09-23 Description: Callbacks: September 30th at 6:00pm End: 2026-09-30 Kind: callback Start: 2026-09-30 Description: Rehearsals begin: week of November 9, 2026. There may be limited and brief Zoom meetings scheduled in preparation before rehearsals, scheduled at your convenience. Rehearsal schedule can be workable around availability, and rehearsals are typically after 5pm. Kind: rehearsal Start: 2026-11-09 Description: Tech begins: November 30, 2026 Kind: tech Start: 2026-11-30 Description: Opening: December 10, 2026 End: 2026-12-10 Kind: performance Start: 2026-12-10 Description: Performances: December 10-20, 2026 End: 2026-12-20 Kind: performance Start: 2026-12-10

Description: Initial Audtitions: September 23rd at 6:00pm End: 2026-09-23 Kind: audition Start: 2026-09-23 Description: Callbacks: September 30th at 6:00pm End: 2026-09-30 Kind: callback Start: 2026-09-30 Description: Rehearsals begin: week of November 9, 2026. Rehearsal schedule can be workable around availability, and rehearsals are typically after 5pm. There may be limited and brief Zoom meetings scheduled in preparation before rehearsals, scheduled at your convenience. Kind: rehearsal Start: 2026-11-09 Description: Tech begins: November 30, 2026 Kind: tech Start: 2026-11-30 Description: Opening: December 10, 2026; Performances: December 10-20, 2026 End: 2026-12-20 Kind: performance Start: 2026-12-10

Description: The inciting incident, and the hate-child of hope and ambition. Well-intentioned, na?ve, easily swayed. Plays the Pigeon in Part 3. Note: Brooklyn is a placeholder name. Use the name of the actor playing the part instead. Name: Brooklyn/ Emilia Status: open Description: The rising action, and the hate-child of grief and jealousy. Doubles as Juliet. Speaks the truth even when no one wants to hear it. Plays Annie in Part 3. Name: Hermia Status: open Description: Wishes he was the climax, can never quite get there, and the hate-child of "I am owed this" and "I am owed that". Dramatic, arrogant, pathetic. Plays Mitch in Part 3. Name: Claudius Status: open Description: Denouement, and the love-child of tiredness and a willingness to keep dreaming despite it. Persistent, capable, odd. Plays Mother in Part 3. Name: Gertrude Status: open Description: The opening credits, the first and last image, and the hate-child of fake sugar and real venom. Will charm your pants off and then make fun of you 'cause you have no pants. Name: Director Status: open Description: They do as they're told. Collateral damage. Name: Stage Manager/Ushers Status: open

Description: The inciting incident, and the hate-child of hope and ambition. Well-intentioned, naïve, easily swayed. Plays the Pigeon in Part 3. Note: Brooklyn is a placeholder name. Use the name of the actor playing the part instead. Name: Brooklyn/ Emilia Status: open Description: The rising action, and the hate-child of grief and jealousy. Doubles as Juliet. Speaks the truth even when no one wants to hear it. Plays Annie in Part 3. Name: Hermia Status: open Description: Wishes he was the climax, can never quite get there, and the hate-child of “I am owed this” and “I am owed that”. Dramatic, arrogant, pathetic. Plays Mitch in Part 3. Name: Claudius Status: open Description: Denouement, and the love-child of tiredness and a willingness to keep dreaming despite it. Persistent, capable, odd. Plays Mother in Part 3. Name: Gertrude Status: open Description: The opening credits, the first and last image, and the hate-child of fake sugar and real venom. Will charm your pants off and then make fun of you ‘cause you have no pants. Name: Director Status: open Description: They do as they're told. Collateral damage. Name: Stage Manager/Ushers Status: open

Don't Feed the Pigeons

Don’t Feed the Pigeons!

Instructions: Please fill out this audition form. If you are not available for initial auditions you can provide a self tape at the google form listed below. Materials: Self tape if unavailable for initial auditions Method: form Link: https://forms.gle/YpHr7yntYUeNdUdj7

Deadline: 2026-10-03T23:59:59-05:00 Deadline text: 2026-10-03T23:59:59-05:00 Email: casting@gwydiontheatre.org Instructions: To apply, visit the linked form. If you are not available for initial auditions, you can provide a self tape below. Materials: Self tape, if unavailable for initial auditions Method: form Timezone: America/Chicago Link: https://forms.gle/YpHr7yntYUeNdUdj7

Stipend

$600.00 stipend, to be paid on closing night.

There is no specific gender, race, or age for any of the actors. Actors must be available for the entirety of key production dates, except for pre-approved conflicts.

There is no specific gender, race, or age for any of the actors.

Non-Equity Audition

In-person auditions, with a self-tape option for those unavailable for initial auditions.

Stipend

$600.00 stipend, to be paid on closing night.

Chloe Harris, casting@gwydiontheatre.org

Website: http://gwydiontheatre.org

A meta-theatrical dramedy by Nena Martins about a rehearsal process in which reality and fiction collide. A self-tape option is available through the audition form for those unavailable for initial auditions. Rehearsals are typically after 5pm and can be worked around availability; travel and housing are not provided for out-of-town artists. A disclosure sheet is referenced for simulated intimacy and violence.

Meta-theatrical dramedy in which a rehearsal process becomes increasingly unsettling as the company prepares a play-within-a-play; Brooklyn becomes increasingly intertwined with her role as reality and fiction collide. The story explores the Hero’s Journey, the American Dream, and the replication of hierarchies. Key production dates are subject to change. Actors must be available for the key production dates except for pre-approved conflicts; rehearsals are typically after 5pm and may be worked around availability, with brief Zoom preparation meetings scheduled at the actor’s convenience. No travel or housing is provided for out-of-town artists. A disclosure sheet covers simulated intimacy and violence.